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Crimps and Ruffles: William T. Gillinder (1823-1871)

December 27, 2015 By Sue Soy

The 50th Anniversary of PCA, Inc. was celebrated in San Antonio, Texas, at the bi-annual meeting of PCA, Inc., President Al Bates presiding. The favor weight for the Golden Anniversary meeting was a frosted yellow lion’s head stamped on the bottom PCA, INC. 50 YEARS – Gillinder Glass. This glass weight was a reminder to attendees of  William T. Gillinder.

William T. Gillander immigrated to the United States from England in the 1850s, eventually established Philadelphia Flint Glass Works in 1861, later named Franklin Flint Glass Works, and still later the glass manufacturing company became Gillinder & Sons and now Gillinder Glass in Port Jervis, New York.  The company is known for having established an operational glass house at the 1876 Centennial Exposition in Philadelphia creating on the spot hundreds of souvenir weights for visitors. The idea generated by Gillinder’s sons.

While the chief business in Gillinder’s glassmaking centered on lighting, chimneys, silvered wares, and cut and press glass at its start, William also created paperweights between 1861 and 1871, the year he died. Perhaps others did as well at the glass house; documentation is scant. While there are gaps in knowledge about Gillinder and his paperweight making, it is known that he was deeply connected with glassworks from an early age and that he traveled around the United Kingdom in his capacity of Central Secretary of the National Flint Glass Makers Sick and Friendly Society, a trades union. When first settled in America, he worked at the New England Glass Company. He most likely was exposed to paperweight making there and perhaps elsewhere.

Gillinder weights are often pastel and soft, even muted, in color with a high dome and distinct faceting with six deep cut oval punties on the sides extending to near the base with one punty on top giving view to carpet grounds and close concentrics with a center focal point millefiori. Some Gillinder weights appear with no faceting and lower domes with very similar millefiori focal points. The center millefiori rods have been identified with 10, 12, 14, or 16 teeth with cogged or scalloped collars giving them the look of ruffles. Crimps have eight loops in most cases and appear around a cog cane or within a cog cane. Gillinder weights are prized and while there are distinct characteristics that differ from Bacchus weights, Gillinder weights have been sometimes confused with Bacchus weights.

Although information about William T. Gillinder and his attractive weights with their faceting and often feathery and muted colors is not easily found, discussion of his sought-after weights is popular in both PCA, Inc. Annual Bulletins (1996, 2006) and at conferences (2003). Noted paperweight enthusiasts and experts who have searched the archives to uncover information on William T. Gillinder and his paperweights include Paul Hollister, Jr., George N. Kulles, Alan Thornton, Gay LeCleire Taylor, and John Hawley.

Gillinder Glass today is located in Port Jervis, NY, and is known as a manufacturer of custom-molded specialty glass using furnaces that are the most modern in the world. Gillinder Glass is directed by Charlie Gillinder, a direct descendent of its founder, William T. Gillinder.
gillinderglasslion
Gillinder Frosted Glass Lion
PCA, Inc. Golden Anniversary – 2003 – San Antonio, Texas Bi-Annual Meeting

Filed Under: Paperweight Historical Summary Tagged With: Gillinder, glass, Golden Anniversary, Inc., paperweight, PCA

Broadfield House Museum

August 9, 2015 By Sue Soy

view of the inside of the Broadfield House Museum
Vew of the inside of the Broadfield House Museum, United Kingdom

Among the many glass museums listed on this website is the Broadfield House Glass Museum located in Kingswinford, England, operated by the Dudley Metropolitan Borough Council. Broadfield House contains glass objects dating back to the 17th century, among them paperweights. The tucked away museum is a former royal estate situated in a part of England known as the Black Country. The Black Country draws its name from the minerals in the ground: coal, iron ore, limestone, fireclay and sand; all perfect ingredients for the French glassmakers who long ago established their businesses in England. Travelers to this western portion of England soon learn about glass manufacturing hearing the names of Amblecote, Stourbridge, and Brierley Hill. The Red House Glass Cone in Stourbridge constucted at the end of the18th century is the last of the traditional glass works and now operates as a museum.  Today, it is the only complete glass cone in the area once filled with them and one of only four left in the United Kingdom. Some of the finer glass pieces produced in this area can be seen at the Broadfield House Glass Museum in addition to paintings that show this colorful landscape from the past and glass making tools. This museum is scheduled to close later this year and will reopen at a date yet to be announced with new exhibits.

Filed Under: Paperweight Historical Summary Tagged With: Amblecote, Broadfield House, Museum, Stourbridge, United Kingdom

Orchids In Glass

July 12, 2015 By Sue Soy

Artists and collectors alike are fascinated with orchids. Take for example Chris Buzzini, who recently has announced that after 45 years of working with glass that he is closing his studio in Oregon and will be returning to California. Chris began his adventure with glass in 1970 and has worked with Correia Art Glass, Lundberg Studios, and Orient & Flume Art Glass. He created his fabulous orchid series as an independent artist with his own studio and has filled many collections with paperweights over this forty-five years of work in glass.

Another artist working with flowers and elements of nature is Paul Stankard. Paul Stankard has not just captured in glass the beauty of the life cycle of plants but  has also created whimsical poetic creatures to share with collectors and admirers of art in glass.  Paul writes beautifully about his journey in life in “No Green Berries or Leaves: The Creative Journey of an Artist in Glass” letting us all share his love for poetry, Nature, and work to to bring poetry into glass. Orchids have been featured in some parts of his work but honeybees, leaves, flowers of all types, berries, root systems, and entwined root people are found in his work.

Victor Trabucco sculpts in glass and is a magician. Like Buzzini and Stankard, his work is found in museums across the world. Trabucco’s paperweights visually demonstrate that his techniques developed over many years of working with fluid hot glass enable him to bring beauty to homes and offices in imaginative ways. Victor Trabucco has passed his art forward to David and Jon, his sons, who work at Trabucco Studios creating crystal sculptures and paperweights.

Chris Buzzini Orchid
Chris Buzzini Orchid
Close up of Paul Stankard Orchid in glass
Close up of Paul Stankard Orchid in glass
Paul Stankard Orchid
Paul Stankard Orchid Paperweight
Victor Trabucco Paperweight
Victor Trabucco Orchid 

Filed Under: Paperweight Historical Summary Tagged With: buzzini, stankard, trabucco

Rakow Research Library

June 26, 2015 By Sue Soy

Whitefriars PaperweightThe Corning Museum of Glass in Corning, New York, is a very active Museum with an unequaled library and archives of materials concerning glass. Because of a very generous gift, a researchers will soon have available to them images from one of England’s oldest glass companies known to paperweight collectors as Whitefriars. The Museum of London acquired the Whitefriars’ extensive collection of design drawings and cartoons and because of space limitations offered them to the Corning Museum of Glass. The drawings and cartoons represent the Whitefriars Collection of stained glass drawings used to plan a stained glass window.  Now the Rakow Research Library will develop an innovative methodology for preserving and digitizing, and making accessible a collection of approximately 5,000-7,000 large-scale, paper-based designs of historical significance from the James Powell and Sons (Whitefriars) glass company.

PCA TX is also represented in the Rakow Collection with a sampling of issues of The Paperweight, the organization’s newsletter. Plans are underway to make the entire body of newsletters available to researchers at the Rakow Research Library. This will allow researchers to follow the history of the Paperweight Collectors Association of Texas, Inc.

Whitefriars Paperweight
Whitefriars Paperweight

Filed Under: Paperweight Historical Summary Tagged With: Rakow, The Paperweight, Whitefriars

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